www.rencontres-arles.com/en/expositions/view/1533/nicolas-floc-h

“我记录和阅读水的颜色越多，它们包含的信息就越多，就像生物、矿物、土壤、空间和气候的书写一样。最常见的水下和海洋景观形式广阔的五颜六色的广阔。通过摄影，单色绘画加入了风景画，但植物和矿物元素不是通过岩石或山脉的浪漫表现、花田的印象派触感或海洋表面的光的光芒来表达，而是仅仅通过颜色和光线来表达的。Nicolas Floc’h写道，这种颜色是微观的颜色，它通过积累、漂浮的颜料、动态和自由变得可见，其饱和度随着深度的增加而增加。”

“The more I document and read the colors of the waters, the more the information they contain multiplies and organizes itself, like the writing of the living, minerals, soil, space and climate. The most common underwater and oceanic landscape forms
a colorful expanse as vast as the eye can see. Through photography, monochrome painting joins landscape painting, yet vegetal and mineral elements are expressed not through the romantic representation of a rock or a mountain, the impressionistic touches of a field of flowers or the scintillation of light on the surface of the ocean, but through color and light alone. This color is that of the microscopic which becomes visible through accumulation, floating pigments, dynamic and free, whose saturation increases with depth…”, writes Nicolas Floc’h.

CHAPELLE SAINT-MARTIN

DU MEJAN

NICOLAS FLOC’H

FLEUVES OCEAN.

LE PAYSAGE

DE LA COULEUR

MISSISSIPPI